Discount

Discount may refer to:

See also

Discount (band)

Discount was an American punk rock band that formed in Vero Beach, Florida, in 1995 and disbanded in 2000. Before disbanding, the group's members relocated to Gainesville, Florida, where they performed their last show in August 2000. They released three full length albums, several EPs, and two b-side collections. Members have gone on to form The Dead Weather, The Kills, The Kitchen, Black Cougar Shock Unit, Unitas, The Routineers, The Draft, Laserhead, Stolen Parts, and Monikers.

Discography

Full-Length Albums

EPs / 7 inches / Splits

(Featuring the band's cover of The Golden Girls Theme)

Discount (film)

Discount is a 2014 French comedy-drama film directed by Louis-Julien Petit.

Cast

References

External links

Blockbuster

Blockbuster may refer to:

TV and entertainment

Comics

Military

Block Buster!

"Block Buster!" (also sometimes listed as "Blockbuster!") is a 1973 single by The Sweet. Written by Nicky Chinn and Mike Chapman, and produced by Phil Wainman, "Block Buster!" was the band's sole UK No. 1 hit. Released in January 1973, it spent five weeks at the top of the UK Singles Chart, and also made #1 in the Netherlands, Germany, New Zealand, Austria and Ireland, and #3 in Finland, Switzerland, Denmark and Norway. Outside Europe it fared less well as it peaked at #29 in Australia and at #73 on the American Billboard Hot 100.

Music and lyrics

Its riff was considered markedly similar to fellow RCA act David Bowie's "The Jean Genie", released shortly before, but all parties maintain that this was pure coincidence.

TV performances

Some controversy rose after the band's performance of the song on the British television program Top of the Pops at December 25 1973. In this performance, Sweet's bassist Steve Priest wore a Swastika.

References

Blockbuster (book)

Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer is a 2004 non-fiction book by British film critic Tom Shone published by Simon & Schuster UK Ltd, ISBN 0-7432-6838-5.

Based on interviews with leading Hollywood filmmakers, actors and production staff it examines the revolution in Hollywood movies brought about by Jaws, Star Wars, Alien and other summer blockbusters and how they became a global phenomenon.

The tone and approach of the book is not one of film criticism as such but rather an analysis of how the blockbuster era came into being, and the processes which drove the producers, directors and film executives concerned from 1975 to 2004. It sets itself firmly on the side of the audience and values entertainment and thrills rather than high culture, and does not shy away from equating creative success with commercial success.

In the book Shone considers that George Lucas and Steven Spielberg's reinvention of blockbusters as fast-paced entertainment reinvigorated the American film industry and deserves greater artistic and critical recognition. These two filmmakers are the most prominent of the many interviewed for the book and receive the most coverage. Director James Cameron is also featured extensively but was not directly interviewed.